Oscar Best Picture Nominee: The Social Network
Starring: Jesse Eisenberg. Andrew Garfield. Justin Timberlake. Arnie Hammer
Directed by: David Fincher
Produced by: David Fincher. Scott Redin. Dana Buinetti. Michael De Luca. Cean Chaffin. Kevin Spacey


Rotten Tomatoes Rating: 97%


Synopsis: This film follow the founding of Facebook. Mark Zuckerberg (Jesse Eisenberg), a socially awkward resident of a Harvard Dormitory, had an inspiration from his breakup and what should have been an online bitch fight, he developed the world's greatest online phenomenon. But the road to heaven is not too easy as he faces charges of copyright infringement from Tyler and Cameron Winklevoss (Arnie Hammer) while he endangers his friendship to his co-founder Eduardo Saverin (Andrew Garfield).

Facebook is indeed the world's greatest online phenomenon to date. This generation has been a witness how Facebook (alongside with Twitter) revolutionized social networking from a simple connecting medium for friends and families to a platform of idea exchange and civilian journalism. I mean, Facebook and Twitter made it easier for news to travel and so on and so forth. The expected exponential growth that of Facebook, far more successful than Friendster during the early 2000s, raises curiosity to the persona behind this huge success. Indeed, Mark Zuckerberg is on the it-list as he amassed fortunes worth billions in less than 10 years.
Therefore, it is no surprise that The Social Network, loosely based from Ben Mezrich's novel The Accidental Billionaires, become the buzz and a hit on the blockbuster.

Quite honestly, I didn't find the movie that great. Partially because I like underdogs more (This move swept the Big four awards- there are only two others) but I just think that the movie is too over the top-- purely depending on the success of Facebook to generate ticket revenue. To be fair, I'm a fan of non-linear timeline: I mean, it takes too much effort and great creativity to create a story without confusing the audience. However, I found the film boring (Watched it in three breaks) because I was annoyed with Jesse Eisenberg's blabbering. I just see the movie as plain blabbering of Zuckerberg-- tactlessly bashing people, carelessly endangering friendship and back-stabbingly pretending to be a great ass.

Given that and of the primary principle of  fairness, I have to say that Eisenberg's acting really worked on me. I mean who else can act like that and have me smirk randomly whenever I hear him in my mind blabbering about the cup size of the girl who broke up with him ("Cup B, as in barely anything there" hilariously annoying).  I would not have any guy like that character dating me. Eisenberg is a natural actor, though, the script really flows within him (But not that great to overcome Colin Firth for the Best Actor Award). I should say also that the rest of the cast did very well in the acting, especially Andrew Garfield, oh god he is hot. It is fair to say that the motivations of all the characters are pretty well established that the believability of their acting is strong enough to persuade the audience. Note that siding on which side is hard enough.

It is just I heard so much about The Social Network that it was kind of implanted to my subconscious that this movie is highly commercialized/sensationalized. As I said, I am for underdogs so given the warm receptions of the audience and the critics, this movie would not disappoint if ever it wins an award. It is easy to say that The Social Network is not my cup of tea (So does Facebook).

Other Oscar Nominations:
Best Actor. Jesse Eisenberg
Best Cinematography. Jeff Cronenweth
Best Director. David Fincher
Best Film Editing. Kirk Baxter. Angus Wall
Best Sound. Ren Klyce. David Parker. Michael Semanick. Mark Weingarten
Best Adapted Screenplay. Aaron Sorkin

Oscar's Best Picture Nominee: The King's Speech
Starring: Colin Firth, Geoffrey Rush, Helena Bonham Carter
Directed by: Tom Hooper
Produced by: Iain Canning, Emilie Sherman, Gareth Unwin


Rotten Tomatoes Rating: 95%

Synopsis: . His Royal Highness Prince Albert, Duke of York (Colin Firth) has to overcome his insecurities to deal with what his royal duties imposes on him but the greatest impediment to his public duties is his speech impediment. He must deal with his stammering first in order to face the challenges imposed by the Abdication of his brother, the former Prince of Wales, and ultimately leading his country to war against Hitler as King George VI. This is the story of how "Bertie" found a way to overcome his speech impediment and most especially, found himself a friend.

His Royal Highness Prince Albert, Duke of York stammers. He can't even say a sentence in a single blow that is why he was left standing behind the microphone on his first broadcast-- leaving him humiliated in front of his father's people. In the first scene, I cannot help but to sympathize to the stammering and the sense of desperation is obvious in the face of the Duke and the Duchess (Helena Bonham Carter. Yes, Bellatrix Lestrange). This leads to the therapy sessions with Lionel Logue, which is so confident of his methods that he even insisted to be in first-name basis with the Prince-- a serious protocol breach.This device to create the equality inside the confines of Logue's consultation room works in two different levels: One it establishes the authority of Logue from the Duke's behavior and as a presage to a relationship deeper than a doctor-patient corroboration.

It is hard enough for Bertie to become a stammering prince, so what more when his brother abdicated the throne (King Edward, played by ) and the royal duties to become a King and Emperor of the British Empire would be too much for him? It was explained that the stammering is acquired (Prince Albert does not stammer when he talks to himself) and it roots from his strict controlling father (portrayed by Michael Gambon) and on how his defects were corrected. He was forced to be a right-handed and forced to wear painful metal splints to correct his bow knees.

The therapy sessions involves series of motor exercises which includes rolling and waltzing and shouting in the window. It is an unusual method and it was revealed the Lionel was not a medical doctor but a failed actor who treated shell-shocked victims form World War I. This confrontation, the climax of the movie, revealed the strengths of both actors as they deliver the lines so powerfully that it doesn't just evoke the confirmation of the success of the therapy (King George said, without stammering, "I have voice") but also a sense of release not only from the insecurities of Prince Albert but also on the superficial protocols. This had me a change of heart and now I am for Colin Firth for the Best Actor award (Sorry James Franco, you are still hot anyway).

Again, subtleties works best for me. What strikes me the most are several explanations of the current behavior of the present monarchs. For one, during a scene where the Princesses of York (the future Queen Elizabeth II and Princess Margaret Countess of Snowdon) asked the Duke to tell them a story. This particular scene reminds me of the movie The Queen starring Hellen Mirren where it was shown the Queen's love for dogs (there are dogs beside the Princesses). Another thing is about how the Duchess (Bellatrix Lestrange for Best Supporting Actress!) strict abidance of the protocol (obviously manifested by her partiality towards Wallis Simpson, and the scene with Myrtle Logue when she teaches Mrs Logue on how to address her). This reminds me of an anecdote I read about the Countess of Snowdon and her very strict nature when it comes to protocol (it must be noted that the young Princess Margaret calls her father Your Majesty in the film). Indeed, the late Princess must be inherited these behavior from her mother.

I am always amazed by the intricacies of the british monarchy---especially it's complex protocols most specifically in the title and styles. The British Monarchy is the most interesting family for me, having ruled in an unbroken chain for centuries. With The Other Boleyn Girl, The Queen, and The Young Princess on my movie repertoire, The King's Speech is yet another great addition to the history of motion picture as it is compelling and inspiring at the same time.

Other Oscar Nominations:
Best Actor (Colin Firth)
Best Supporting Actor (Geoffrey Rush)
Best Supporting Actress (Helena Bonham Carter)
Best Director (Tom Hooper)
Best Film Editing (Tariq Anwar)
Best Art Direction (Eve Stewart. Judy Farr)
Best Costume Design (Jenny Beaver
Best Sound Mixing (Paul Hambling, Martin Jensen, John Midgeley)
Best Original Score (Alexandre Desplat)
Best in Cinematography (Danny Cohen)
Best Original Screenplay (David Seidler)
***Note: TKS has the most nominations for this year's Oscar's

Oscar Best Picture Nominee: 127 Hours
Starring: James Franco
Directed by: Danny Boyle
Produced by; Christopher Colson, Danny Boyle, John Smithson
Adapted from: Aron Rolston's Between a Rock and a Hard Place


Rotten Tomatoes Rating: 94%

Synopsis: A happy-go-lucky son foes out trekking in a a wide canyon alone... without telling anyone where he is going. Trapped with a  boulder blocking his arm to move, he has no choice but to resort to a desperate measure in order to survive.

Movie critic Matt Kelemen says that 127 Hours "... maybe a total contrast with [Slumdog Millionaire], but in terms of artistic innovation, it is a greater achievement." Indeed, given the awesome cinematography to visualize Aron Ralston's (Franco) hallucination is a great device to put an action on a seemingly stationary character stuck in between rocks. Yes, if you are looking for an action pack trekking experience, this is not the movie for you; but, I assure you that when I say that this movie is action-packed, it is definitely thrilling.

The film revolves around the story of Aron Ralston and his 127-hour stranded moments in between two rocks with a boulder blocking his hand. Equipped with only a cheap swiss knife, a head light, half-a-bottle of water and some biscuits, he has no choice but to witness his own slow death. Amidst of fading hope and desperately resorting to drinking his own urine to quench his thirst, he hallucinates and entertains himself with his camera and some skits. It is funny how the plot is extended to include the bubly side of James Franco (Can I just say that he is HAWT?). His charms juxtaposed to his acting prowess makes him deserving for the Best Actor Award.

Three years after the success of Slumdog Millionaire, Producer-Director Danny Boyle goes back to the Oscar scene with this compelling story. With the gruesome and visual amputation climax, an audience could either pass out or at least feel the pain of desperation. Indeed, a very amazing creation and not a movie for those who can't take blood.

Other Academy Awards Nominations:
Best Actor. James Franco
Best Adapted Screenplay. Danny Boyle, Simon Beaufoy
Best Original Score. AR Rahman
Best Original Song. AR Rahman, Dido and Rollo Armstrong
Best Film Editing. Jon Harris

Oscar Best Picture Nominee: The Black Swan

Starring: Natalie Portman, Mila Kunis, VIncent Cassel

Director: Daren Aronofsky

Producer: Mike Medavoy, Brian Oliver, Scott Franklin

Rotten Tomatoes Rating: 88%

Metacritic: 79%

Synopsis: A young talented prima ballerina struggles with her insecurities especially with her understudy.

Subtleties in the movies make one good. A perfect combination of symbolisms, irony and natural drama would make a movie stand out among any other. The best movies don't rely in the script to achieve a specific reaction. Most of the time, as it is in real life, reactions-- specifically, emotions--- originate from subtle forces acting on the subject. Indeed, BS quenched my thirst for subtleties and it's outstanding performances and mind-puzzling scenes made me want this movie to win the Oscars for Best Picture.

Natalie Portman portrayed the prima ballerina Nina Sayers whose ballet technique is outstanding yet it is rigid.  She is compared with her co-cast and her understudy (Mila Kunis) which on the other hand has the fluidity and a slight touch of carelessness. For this specific production, Natalie Portman, in fact, trained herself in ballet and professional ballerinas and danseurs praised her technique. Performances in this film is even comparable to what we can see on live stage. Not only that NP praised for her astonishing ballet but also her portrayal of the troubled protagonist. Her acting is so natural that motivations are clearly established (except for one thing, we will go back to that). She deserved the Golden Globe Award for Best Actress and so as the Oscar's Best Actress.

Given the genre of the movie, the psycho-drama is creepily enticing. The horror is sublime. We cannot see the traditional cunning and conniving evil but we definitely sense its presence. The evil is within oneself, says this movie, that we should be afraid of what we can do to ourselves. The appearance of the feathers in the final performance, the stabbing scene and the mysterious scratch marks (although it can be helpful if the script clarifies  the reasons for this) are hair-raising enough to invoke a deep form of fear. The film could be confusing but it encourages the audience to think.

Good movie, Highly Recommended.

Other Oscar's Nominations:

Best Director

Best Actress

Best Cinematography

Best Film Editing